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Reve,” which means “The Dream” in French, tells
the story of an “everyman” character named Wayne and
his dreams. Guiding him through his journey is Morpheus, a character
reminiscent of an ancient warrior. Along for the ride are the
Four Angels, a comic quartet “who enter the world and are
fallible in every way,” said John Gilkey, who worked with
Dragone on developing the characters.
“They
come down into this world with every intention to guide Wayne
on a wholesome journey, but they fall prey to every temptation
along the way,” Gilkey said.
“The theme that crosses the show is really how men can be
great and little, how men can do beautiful, great things like
walk on the moon, and at the same time do bad, ugly things like
war,” Dragone said.
One of the most powerful scenes
in “Le Reve” evokes a cold, winter night. As snow
falls, Wayne searches a city park for a friendly face, only
to find nightmarish figures at every turn. Another scene celebrates
the strength of the human body, as men begin climbing an enormous
tree, swinging from branch to branch and launching themselves
high into the air before falling back into the water.
The score, by composer Benoit
Jutras, provides a haunting backdrop, with a mixture of live
singing and recorded choral music from Serbia.
Waterworld
The Wynn Theater lends an intimacy to
the show. Housed in a theater-in-the-round — a rarity
for Las Vegas — with no seat more than 42 feet from the
“stage,” the audience is pulled into the production.
Because of the theater’s circular design, there is no
backstage and no room to house elaborate structures in the wings.
Instead, performers and sets appear from the depths below or
from the soaring space above.
“When you enter this theater,
you enter this enclosed world,” said Louis Parenteau,
president of Dragone’s company. “You have a real
intimacy with the performers. It’s as if you are in their
world.”
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PERFORMANCES
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Thursday through Monday
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Note: This information is subject to change by the Casino Property without notice.
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